Matt’s Favourite Albums of 2010
Alright, here’s my annual list of my favourite albums of the year. It’s a little late this year, but cut me some slack, I’ve got a kid now. It’s not that I’m lazy, I swear. I’ve decided to go with a slightly different format this year: Alphabetical Order!
AGAINST ME! – WHIT CROSSES
The punkest pop punk band in the world. I am amazed at how much attitude this album has while still sounding incredibly well produced (thanks to Butch Vig). This album is slick. It’s got big sing a long choruses, solid harmonies, tons of poppy hooks and even (god forbid) a keyboard. In reality, this album doesn’t sound very aesthetically punk and many purists would likely apply the label “sell out” to these guys. But this album is so packed full of attitude and intelligent, thoughtful lyricism that it’s hard to agree with such a label. A lyric like “I watched your mother bury you today, with tears in her eyes, it wasn’t her words that shook me, but the resemblance you shared,” isn’t all that anti-establishment, but it is just flat out great. In fact, I think this band’s total lack of fear about being labelled as sellouts and embracing a slicker sound and elements of fun, while still holding onto their attitude and aggression only enhances their punk rock cred. A thoroughly enjoyable album start to finish.
BEN FOLDS & NICK HORNBY – LONELY AVENUE
One of my favourite musicians and one of my favourite authors together at last. Hornby wrote all the lyrics and Folds supplied the music and it all comes together wonderfully. 11 short stories set to music. “Picture Window” is Fold’s most beautiful, heartbreaking song since “Brick.” The lyrics on the album are concise, poetic, melancholy and humorous in a way that is trademark Hornby, but Folds weaves them so effortlessly with his arrangements that they become his own. This record is fun, smart and heartbreaking. I love it. On a side note, Ben Folds has got to be the best in the business at making great music albums for non musicians. William Shatner’s album was a total winner, and now this. Who’s next, Jerry Seinfeld?
BLACK DUB – BLACK DUB
This is my kind of super group. Daniel Lanois, who is one of my favourite artists, not to mention a production genius (Achtung Baby anyone?) plays a wicked mean guitar and sings like a champ. Brian Blade on the drums plays with such passion and soul, I want to weep and dance at the same time. Daryl Johnson laying down some sweet, sweet bass. And Trixie Whitley singing her ass off beside Lanois. Now, granted, the only real question here is Whitley, as the other 3 members are all legendary players. Trixie is the daughter of the late great Texas bluesman Chris Whitley. He was amazing. And his daughter carries on a great legacy. This whole album feels like it was recorded in a living room… by one of the world’s greatest producers. There’s not a lot of fancy production or bells and whistles, but the music is strong enough to speak for itself, as are the songs. Some favourites are “Surely,” “Cannan,” “Slow Baby” and “Silverado.”
THE BLACK KEYS – BROTHERS
I think this one is on everyone’s list, and there’s a reason for it. It’s awesome. The Keys have always been dripping with cool, but on this one they fill in the blanks with amazing songwriting and seductively diverse arrangements. I put on this record if I’m feeling a little insecure or intimidated and by the time track # 2, “Next Girl” kicks in, I feel ready to slam some bourbon, pick up some bitches and hop the next boxcar to Mississippi. I don’t know where these two white guys from Ohio found so much groove and soul, but I have my suspicions that there was a crossroads meeting with a horned demon involved.
BRANDON FLOWERS – FLAMINGO
The Killers front man comes through with a solo tribute to his hometown of Las Vegas and it’s a winner: 3 cherries, blackjack, rolling a 7, 4 of a kind, etc. Flowers has carved out such a specific sound and style for himself through The Killers and now on this, his first solo effort. I wish I could write songs like him. This record is definitely more pop than the Killers. I think every song is great. The opening track is inspired by the “Welcome to Fabulous Las Vegas” sign that greets it’s visitors upon arrival and is a cautionary tale. The last line of the chorus, “didn’t nobody tell you, the house will always win” is such a prefect line and hits me like a modern Kenny Roger’s “The Gambler.” I can listen to this album a hundred times (and I have) and I never get tired of it. I actually still get excited when I get to track 7, “Magdalena.”
KANYE WEST – MY BEAUTIFUL DARK TWISTED FANTASY
Masterpiece. I am not much of a fan of Kanye. He just seems like such a dick. And I was resistant to even get this record, even though I have enjoyed some of his past efforts. But I got it anyways, and I was reluctantly impressed… really impressed. This album is unarguably great. It’s at the top of pretty much everyone’s list this year, and I can see why. The production here is outstanding and his sampling is fresh and innovative. He is definitely the cream of the producer crop. And he knows a good hook and he knows how to work it. And his rhymes are surprisingly self aware and self critical. There’s definitely some massive ego here, but it is so well balanced with the intelligent stuff that it actually comes off as charming. And the line “You got too many Urkels on your team that’s why your Winslow” cannot help but make me smile every time I hear it (not to mention, “The people who tried to black ball me forgot about two things: my black balls.” Wow). I am by no means a hip hop expert, but this album is solid, solid, solid front to back. Well done Kanye… you dick.
MUMFORD AND SONS – SIGH NO MORE
These Brits came out guns blazing with the best folk album I’ve heard in years. They have some stellar harmonies and sing and play well crafted songs with a power and passion that’s hard to argue with. I didn’t get to see them live this year, but everyone I talked to that did said they were outstanding. I love this album and can’t wait to hear their next one.
THE NATIONAL - HIGH VIOLET
I find this album utterly beautiful. The lush indie soundscapes and Matt Berninger’s Baritone combine perfectly to create awesome tune after awesome tune. The lyrics don’t make sense a lot of the time, but I feel like I know exactly what he’s saying. And the record seems depressing at first glance, but I feel strangely hopeful while listening to it. This album is beautiful and artistic without being pretentious or snobby. I’ve listened to this album end to end countless times and I still love it. “Blood Buzz Ohio” was my 6 month old daughter’s favourite song of the year. How can you argue with that? I also had the pleasure of catching them live this summer and it was killer. I found myself wanting to just close my eyes and feel the music hit me, like a hippie. Oh god, The National has turned me into a hippie… bastards.
OK GO – OF THE BLUE COLOUR OF THE SKY
The kings of internet music videos come through with a stunning pop masterpiece worth listening and watching. This album sounds like a baby conceived by Prince and Talking Heads in a discotheque in the future. Art rock that I can’t help but dance to. There has been a bunch of music videos made for these songs this year and they are all awesome, fun and innovative. I want to be in this band but I fear that I’d be in way over my head. Songs like “White Knuckles” and “Needing/Getting” are perfect pop songs and they are executed with equal perfection. Another band I didn’t get to see live… god, this kid has really killed my concert going jive. New years resolution: more shows.